And finally a look at the roms. Vintage clip of The Roms on Local NJ TV Show 1980.Rich DaSilva, Guitar; Pete DeMaio, bass, Rick Brescia, Keys; Tom Sciro, drums. This is probably done by briefly connecting to some Google server. If this is not the case, there will be an '!' In the Wi-Fi or mobile icon in the system status bar. Recent Android versions seem not to switch connectivity from mobile to Wi-Fi when the Wi-Fi network is not really connected, even though there is a connection to the Wi-Fi network.

There's just something about spring that screams romance. I mean, there's a reason why You've Got Mail's Kathleen Kelly and Joe Fox finally got together in the springtime, after all. After a long, cold, dreary winter, who doesn't feel immense joy at sunshine, warm weather, and blossoming trees? And, if you're anything like me, that seasonal joy most definitely translates to some dreamy, romantic feelings. So what better time to check out some new rom-com novels — especially if they're based on your Zodiac personality traits?

Though you can of course read any of the books below despite your sun sign, you might just find that these books match up perfectly with the sorts of plots you love to read, or even with the characters you can find yourself most relating to. Even better, all 13 of the books below came out recently — or are soon to be released in 2018 — so even if you're the most avid of rom-com novel readers, you're bound to find a couple below that you'll be desperate to add to your spring TBR. Pack one of these tote bag for the ride to work or on a weekend picnic and get into the spring fling spirit.

Agreeing to go to a wedding with a guy she gets stuck with in an elevator is something Alexa Monroe wouldn't normally do. But there's something about Drew Nichols that's too hard to resist. After Alexa and Drew have more fun than they ever thought possible, Drew flies back to Los Angeles, and Alexa heads home to Berkeley. It's just too bad they can't stop thinking about each other.

Professional organizer Matilda Hart is suddenly back in the tiny hometown she fled a lifetime ago, tasked with putting up with the bridezilla antics of her high school nemesis, Amber. Even though she's asked to keep Amber's ex away from the ceremony, she discovers she has history with him. Matilda quickly realizes that teaming up with cute and quirky Silas Flynn could be mutually beneficial. Will everything go according to plan for this mismatched pair? Or will working so closely together make uptight Matilda and laid-back Silas lose sight of their common goal?

Stella Lane comes up with algorithms to predict customer purchases— a job that has given her more money than she knows what to do with, and way less experience in the dating department than the average 30-year-old. Her conclusion: she needs lots of practice — with a professional. Which is why she hires escort Michael Phan. Before long, their no-nonsense partnership starts making a strange kind of sense. And the pattern that emerges will convince Stella that love is the best kind of logic.

Katie Daniels is a perfection-seeking 28-year-old lawyer living the New York dream. But the rug is swept from under Katie when she is suddenly dumped by her fiancé, Paul Michael, leaving her devastated and completely lost. On a whim, she agrees to have a drink with Cassidy Price. The two form a newfound friendship, which soon brings into question everything Katie thought she knew about sex—and love.

When free-spirited Eve and straightlaced Ben first cross paths, sparks don’t exactly fly. But then they meet again. And again. And then, finally, they find themselves with a deep yet fragile connection that will change the course of their relationship—possibly forever. Follow Eve and Ben as they navigate their twenties on a winding journey through first jobs, first dates, and first breakups; through first reunions, first betrayals and, maybe, first love.

Matilda Goodman is an underemployed wedding photographer grappling with her failure to live as an artist and the very bad lie she has told her boyfriend. Harry, her brother, is an untenured professor of literature, anxiously contemplating his dead-end career and sleeping with a student. When Matilda invited her boyfriend home for Thanksgiving to meet the family, she falls down a slippery slope of shame, scandal, and drunken hot tub revelations forcing both siblings to examine who they really are and who they want to be.

When M.J. Stark’s boss betrays her, she trades her cashmere for caftans and moves to California. Once there, M.J. is left with only the company of her elderly neighbor Gloria. One afternoon, M.J. discovers that Gloria has suddenly moved to Paris and in lieu of a goodbye, she's left a mysterious invitation to a secret club — one that only reads erotic books. Curious, M.J. accepts and meets the three other hand-selected club members. As they bond, they learn that friendship might just be the key to rewriting their own stories.

Sylvie and Dan have all the trimmings of a happy life and marriage; they have a comfortable home, fulfilling jobs, beautiful twin girls. However, a trip to the doctor projects they will live another 68 years together and panic sets in. In the name of marriage survival, they concoct a plan to keep their relationship fresh and exciting. But soon mishaps arise and secrets are uncovered that start to threaten the very foundation of their unshakable bond. Saffron city my site address.

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Louisa Clark arrives in New York ready to start a new life, confident that she can embrace this new adventure. Lou is determined to get the most out of the experience and throws herself into her new job and New York life. As she begins to mix in New York high society, Lou meets Joshua Ryan, a man who brings with him a whisper of her past. And when matters come to a head, she has to ask herself: Who is Louisa Clark? And how do you reconcile a heart that lives in two places?

Between grad school and multiple jobs, Naledi Smith doesn’t have time for fairy tales… or patience for the constant e-mails claiming she’s betrothed to an African prince. Prince Thabiso is the sole heir to the throne of Thesolo, shouldering the hopes of his people. Ever dutiful, he tracks down his missing betrothed. But when Naledi mistakes the prince for a pauper, Thabiso can’t resist the chance to experience life without the burden of his crown. When the truth is revealed, can a princess in theory become a princess ever after?

Once a book-loving English major, Casey lands a job at a top ad agency that highly values her ability to tell a good story. Her best friend thinks she’s a sellout, but Casey tells herself that she’s just paying the bills. When she falls in love with one of her authors, Casey can no longer ignore her own nagging doubts about the human cost of her success. By the time the year’s biggest book festival rolls around in Las Vegas, it will take every ounce of Casey’s moxie to undo the damage — and, hopefully, save her own soul.

Anne Corey is an English professor in California, and she’s determined to score a position on the coveted tenure track at her college. All she’s got to do is get a book deal, snag a promotion, and boom! She’s in. But then Adam Martinez — her first love and ex-fiancé — shows up as the college’s new president. As the school year advances and her long-buried feelings begin to resurface, Anne begins to wonder whether she just might get a second chance at love.

• Book publishing
  • The origins of books
  • Books in classical antiquity
  • Books in the early Christian era
  • The medieval book
  • The age of early printing: 1450–1550
  • The flourishing book trade: 1550–1800
    • Advances in continental Europe
  • Modern publishing: from the 19th century to the present
    • The 19th century
    • The early 20th century
    • World War II and the postwar period
  • Modern publishing practice
• Newspaper publishing
  • Origins and early evidences
  • The first newspapers
    • Early newspapers in Britain and America
  • Era of the Industrial Revolution
    • Growth of the newspaper business in the English-speaking world
  • Era of the popular press
  • The modern era
    • Maturation of newspaper markets
• Magazine publishing
  • Developments in the 18th century
  • The 19th century and the start of mass circulation
  • The 20th century
    • The advertising revolution in popular magazines
    • Publications outside Europe and the United States
    • News and photo magazines
    • Digests and pocket magazines
    • Specialized magazines
    • Scholarly, cultural, and literary magazines

Beginnings in the 17th century

Though there may have been published material similar to a magazine in antiquity, especially perhaps in China, the magazine as it is now known began only after the invention of printing in the West. It had its roots in the spate of pamphlets, broadsides, ballads, chapbooks, and almanacs that printing made possible. Much of the energy that went into these gradually became channeled into publications that appeared regularly and collected a variety of material designed to appeal to particular interests. The magazine thus came to occupy the large middle ground, incapable of sharp definition, between the book and the newspaper.

The earliest magazine appears to have been the German Erbauliche Monaths-Unterredungen (1663–68; “Edifying Monthly Discussions”), started by Johann Rist, a theologian and poet of Hamburg. Soon after there appeared a group of learned periodicals: the Journal des Sçavans (later Journal des Savants; 1665), started in France by the author Denis de Sallo; the Philosophical Transactions (1665) of the Royal Society in England; and the Giornale de’ letterati (1668), published in Italy and issued by the scholar and ecclesiastic Francesco Nazzari. A similar journal was started in Germany a little later, the Acta eruditorum Lipsiensium (Leipzig; 1682); and mention may also be made of the exile-French Nouvelles de la République des Lettres (1684), published by the philosopher Pierre Bayle mainly in Holland to escape censorship. These sprang from the revival of learning, the need to review its fruits, and the wish to diffuse its spirit as widely as possible.

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The learned journals summarized important new books, but there were as yet no literary reviews. Book advertisements, by about 1650 a regular feature of the newssheets, sometimes had brief comments added, and regular catalogs began to appear, such as the English quarterly Mercurius librarius, or A Catalogue of Books (1668–70). But in the 17th century the only periodicals devoted to books were short-lived: the Weekly Memorials for the Ingenious (1682–83), which offered some critical notes on books, and the Universal Historical Bibliothèque (January–March 1686). The latter invited scholarly contributions and could thus be regarded as the true forerunner of the literary review.

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The lighter type of magazine, or “periodical of amusement,” may be dated from 1672, which saw the first appearance of Le Mercure Galant (renamed Mercure de France in 1714). It was founded by the writer Jean Donneau de Vizé and contained court news, anecdotes, and short pieces of verse—a recipe that was to prove endlessly popular and become widely imitated. This was followed in 1688 by a German periodical with an unwieldy title but one that well expressed the intention behind many a subsequent magazine: “Entertaining and Serious, Rational and Unsophisticated Ideas on All Kinds of Agreeable and Useful Books and Subjects.” It was issued in Leipzig by the jurist Christian Thomasius, who made a point of encouraging women readers. England was next in the field, with a penny weekly, the Athenian Gazette (better known later as the Athenian Mercury; 1690–97), run by a London publisher, John Dunton, to resolve “all the most Nice and Curious Questions.” Soon after came the Gentleman’s Journal (1692–94), started by the French-born Peter Anthony Motteux, with a monthly blend of news, prose, and poetry. In 1693, after devoting some experimental numbers of the Athenian Mercury to “the Fair Sex,” Dunton brought out the first magazine specifically for women, the Ladies’ Mercury. Finally, another note, taken up time and again later, was struck by The London Spy (1698–1700), issued by a tavern keeper, Ned Ward, and containing a running narrative of the sights and sounds of London.

Developments in the 18th century

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Great Britain

With increasing literacy—especially among women—and a quickening interest in new ideas, the magazine filled out and became better established. In Britain, three early “essay periodicals” had enormous influence: Daniel Defoe’sThe Review (1704–13; thrice weekly); Sir Richard Steele’sThe Tatler (1709–11; thrice weekly), to which Joseph Addison soon contributed; and Addison and Steele’s The Spectator (1711–12, briefly revived in 1714; daily). Though they resembled newspapers in the frequency of their appearance, they were more like magazines in content. The Review introduced the opinion-forming political article on domestic and foreign affairs, while the cultivated essays of The Tatler and The Spectator, designed “to enliven morality with wit, and to temper wit with morality,” did much to shape the manners and taste of the age. The latter had countless imitators not only in Britain, where there were in addition the Female Tatler (1709–10) and the Female Spectator (1744–46), but also on the Continent and later in America. The Stamp Tax of 1712 had a damping effect, as intended, but magazines proved endlessly resilient, easy to start and easy to fail, then as now.

So far various themes had been tried out; they were first brought together convincingly by the English printer Edward Cave, who began to publish The Gentleman’s Magazine in 1731. It was originally a monthly collection of essays and articles culled from elsewhere, hence the term magazine—the first use of the word in this context. Cave was joined in 1738 by Dr. Johnson, who was later to publish his own Rambler (1750–52); thereafter The Gentleman’s Magazine contained mostly original matter, including parliamentary reports. Rivals and imitators quickly followed, notably the London Magazine (1732–85) and the Scots Magazine (1739–1817; to 1826 published as the Edinburgh Magazine); and, among the increasing number of women’s periodicals, there were a Ladies’ Magazine (1749–53) and a Lady’s Magazine (1770–1832). Their progenitor, however, outlived them all and perished only in 1907.

The literary and political rivalries of the day produced numerous short-lived periodicals, from which the critical review emerged as an established form. Robert Dodsley, a London publisher, started the Museum (1746–47), devoted mainly to books, and Ralph Griffiths, a Nonconformist bookseller, founded The Monthly Review (1749–1845), which had the novelist and poet Oliver Goldsmith as a contributor. To oppose the latter on behalf of the Tories and the Church of England, The Critical Review (1756–1817) was started by an Edinburgh printer, Archibald Hamilton, with the novelist Tobias Smollett as its first editor. Book reviews tended to be long and fulsome, with copious quotations; a more astringent note came in only with the founding of the Edinburgh Review in 1802 (see below).

Continental Europe

On the Continent development was similar but was hampered by censorship. French magazines containing new ideas had to appear in exile, such as the philosopher Pierre Bayle’s Nouvelles de la République des Lettres, which was published largely in Holland; some 30 titles were published in Holland up to the time of the French Revolution. Within France, there were the short-lived Spectateur Français (1722–23) and Spectateur Suisse (1723); and Le Pour et le Contre (1733–40; “For and Against”), issued by the Abbé Prévost (author of Manon Lescaut). Of more literary interest were the Gazette Littéraire de l’Europe (1764–84) and La Décade Philosophique, Littéraire et Politique (1794–1804).

In Leipzig the poet and philosopher Johann Christoph Gottsched issued a periodical for women, Die vernünftigen Tadlerinnen (1725–26; “The Rational Woman-Critics”), and the first German literary review, Beiträge zur kritischen Historie der deutschen Sprache (1732–44; “Contributions to the History of the German Language”). German literary movements were connected with the production of new magazines to a greater extent than in Britain. Examples of such vehicles include Friedrich von Schiller’s Horen (1795–97) and Johann Wolfgang von Goethe’sPropyläen (1798–1800), the influence of which was often greater than their duration. Of more general and lasting influence was the Allgemeine Literatur-zeitung (1785–1849), founded by Friedrich Justin Bertuch, “the father of the German periodical.”

The first Russian periodical, published by the Academy of Sciences, was a learned journal called “Monthly Works” (1755–64). The first privately published Russian magazine, a critical periodical with essays and translations from the British Spectator, was called “Industrious Bee” and began in 1759. Catherine II used her Vsiakaia Vsiachina (1769–70), also modeled on the Spectator, to attack opponents, among them Nikolay Novikov, whose “Drone” (1769–70) and “Windbag” (1770) were suspended and whose “Painter” (1770–72) escaped only by being dedicated to the Empress.

America

In America the first magazines were published in 1741. In that year appeared Andrew Bradford’s American Magazine, the first publication of its kind in the colonies. It was joined, a mere three days later, by Benjamin Franklin’sGeneral Magazine. Both magazines appeared in Philadelphia; neither lasted very long, however—Bradford’s magazine survived only three months and Franklin’s six. Franklin was more widely known for another of his publications, Poor Richard’s Almanack (1732–57), which contained maxims and proverbs. Before the end of the 18th century, some 100 magazines had appeared, offering miscellaneous entertainment, uplift, or information, mostly on a very shaky, local, and brief basis. Among the more important were, in Philadelphia, the Pennsylvania Magazine (1775–76), edited by Thomas Paine, and the American Museum (1787–92) of the bookseller Mathew Carey; the Massachusetts Magazine (1789–96), published in Boston; and the New-York (City) Magazine (1790–97).